1 00:00:15,220 --> 00:00:16,220 ANDY. 2 00:00:16,250 --> 00:00:17,520 HOW'S IT GOING, FEELY? 3 00:00:17,560 --> 00:00:18,860 HOW'S IT GOING? 4 00:00:18,890 --> 00:00:21,020 DANNY SORENSON, DIANE RUSSELL, TOMMY FEELY. 5 00:00:21,060 --> 00:00:24,230 ME AND HIM WORKED UNIFORM BACK WHEN THEY RACED CHARIOTS. 6 00:00:24,260 --> 00:00:25,590 HEADS UP SECURITY HERE. 7 00:00:25,630 --> 00:00:27,600 GOT A GUEST HERE WHO GOT RAPED, 8 00:00:27,630 --> 00:00:29,730 BEAT UP REAL BAD. 9 00:00:29,770 --> 00:00:32,030 ALL RIGHT, FOLKS, COME ON. KEEP IT MOVING. 10 00:00:32,070 --> 00:00:33,530 SICK BASTARDS. 11 00:00:33,570 --> 00:00:34,900 Diane: MARDI GRAS BALL? 12 00:00:34,940 --> 00:00:36,370 YEAH, IT'S SUPPOSED TO BE LEGIT, 13 00:00:36,410 --> 00:00:38,220 BUT IT TURNS OUT IT'S THESE DEGENERATE SWINGER TYPES. 14 00:00:38,240 --> 00:00:40,210 PLUS, THE PROMOTER BONED US. 15 00:00:40,240 --> 00:00:43,080 YOU KNOW, OVERSOLD IT TO DOUBLE CAPACITY. 16 00:00:43,110 --> 00:00:44,080 TOTALLY OVERWHELMED US. 17 00:00:44,120 --> 00:00:45,720 WHO'S THAT? THAT'S THE VICTIM'S KID. 18 00:00:45,750 --> 00:00:46,880 HER GIRLFRIEND IS WATCHING HER. 19 00:00:46,920 --> 00:00:48,580 EVERYTHING WILL BE OKAY. 20 00:00:51,090 --> 00:00:52,720 HI. 21 00:00:52,760 --> 00:00:54,570 DEBORAH JOHANSEN, HERE ON ONE OF THEM 22 00:00:54,590 --> 00:00:56,260 3‐DAY "I LOVE NEW YORK" PACKAGES. 23 00:00:56,290 --> 00:00:58,290 Andy: WHO'S THE GUY? HER BROTHER. HE'S LOCAL. 24 00:00:58,330 --> 00:01:01,060 Danny: HE CALL IT IN? VICTIM'S GIRLFRIEND, ABOUT 10:45 P. M. 25 00:01:01,100 --> 00:01:02,930 HER AND THE VICTIM'S DAUGHTER WERE ON THEIR WAY BACK 26 00:01:02,970 --> 00:01:04,640 FROM "THE LION KING" WHEN THEY DISCOVERED HER. 27 00:01:04,670 --> 00:01:06,070 LET'S KEEP THE LITTLE ONE OUT OF HERE. 28 00:01:06,100 --> 00:01:08,070 HEY, FEELY, HOW ABOUT GETTING A ROOM 29 00:01:08,110 --> 00:01:09,950 FOR THE GIRLFRIEND AND DAUGHTER TILL WE'RE READY FOR THEM? 30 00:01:09,970 --> 00:01:11,470 I CAN CHECK, BUT WE'RE BOOKED TO THE GILLS. 31 00:01:11,510 --> 00:01:13,110 FEELY, FIND A ROOM. 32 00:01:13,140 --> 00:01:16,910 PULL UP YOUR SECURITY TAPES. 33 00:01:16,950 --> 00:01:19,480 YOU KNOW, THIS COULD BE THE END FOR ME, ANDY. 34 00:01:19,520 --> 00:01:21,590 I MEAN, THIS COULD BE MY JOB. 35 00:01:21,620 --> 00:01:24,750 COULDN'T BE WORSE, HUH, FEELY? 36 00:01:24,790 --> 00:01:29,160 I'M SORRY. DON'T LISTEN TO ME. 37 00:01:30,630 --> 00:01:32,590 I‐I'M ROGER JOHANSEN ‐‐ DEBORAH'S BROTHER. 38 00:01:32,630 --> 00:01:34,460 DETECTIVES SORENSON, SIPOWICZ, RUSSELL. 39 00:01:34,500 --> 00:01:36,100 SHE'S GOT TO GO TO THE HOSPITAL, 40 00:01:36,130 --> 00:01:37,600 OR AT LEAST GET OUT OF THIS ROOM. 41 00:01:37,640 --> 00:01:38,940 IS SHE UP FOR A COUPLE QUESTIONS FIRST? 42 00:01:38,970 --> 00:01:41,500 SHE SAID THE GUY WAS WEARING A MASK, 43 00:01:41,540 --> 00:01:44,110 LIKE A COURT JESTER MASK FROM THIS MARDI GRAS BALL 44 00:01:44,140 --> 00:01:45,440 I GUESS THEY GOT GOING ON. 45 00:01:45,480 --> 00:01:46,790 I'LL BE REAL QUICK. 46 00:01:46,810 --> 00:01:50,950 IT WAS MY IDEA ‐‐ HER COMING OUT AND VISITING. 47 00:01:50,980 --> 00:01:53,620 I KEPT TELLING HER HOW SAFE NEW YORK'S BEEN. 48 00:01:53,650 --> 00:01:55,480 Danny: HEY, SARGE. 49 00:01:55,520 --> 00:01:56,650 YOU STAYING HERE, TOO? 50 00:01:56,690 --> 00:01:58,120 NO, I LIVE OVER ON SECOND AVENUE. 51 00:01:58,160 --> 00:02:00,130 MY PLACE WAS TOO SMALL, THOUGH. 52 00:02:00,160 --> 00:02:02,290 CAN WE GET UNIFORMS AT EVERY EXIT 53 00:02:02,330 --> 00:02:05,040 AND SNAG UP ANYBODY IN A COURT JESTER OUTFIT? 54 00:02:05,060 --> 00:02:07,130 AND MAYBE GET SOME MEN STARTED 55 00:02:07,170 --> 00:02:09,040 GOING THROUGH THE TRASH CANS. 56 00:02:09,070 --> 00:02:11,310 WAS HE WHITE, BLACK, LATINO? 57 00:02:11,340 --> 00:02:12,980 I DON'T KNOW ‐‐ THE MASK. 58 00:02:13,000 --> 00:02:14,800 COULD YOU TELL BY HIS HANDS? 59 00:02:14,840 --> 00:02:17,370 UH, HE HAD GLOVES ON. WHERE'S MY DAUGHTER? 60 00:02:17,410 --> 00:02:18,640 WE'RE PUTTING HER AND YOUR GIRLFRIEND 61 00:02:18,680 --> 00:02:19,850 IN ANOTHER ROOM. 62 00:02:19,880 --> 00:02:21,880 THE WORST PART WAS WHEN I WAS TIED TO THE BED 63 00:02:21,910 --> 00:02:23,710 AFTER HE LEFT, 64 00:02:23,750 --> 00:02:26,310 KNOWING THAT MY DAUGHTER WOULD SEE ME LIKE THAT 65 00:02:26,350 --> 00:02:28,220 AND THERE WAS NOTHING I COULD DO. 66 00:02:28,250 --> 00:02:29,820 ALL RIGHT. WE'LL GET YOU OUT OF HERE. 67 00:02:29,850 --> 00:02:32,020 PLEASE DON'T LET MY DAUGHTER SEE ME LIKE THIS. 68 00:03:48,770 --> 00:03:50,440 THERE'S, LIKE, 69 00:03:50,470 --> 00:03:52,430 56 COSTUME SHOPS IN MANHATTAN. 70 00:03:52,470 --> 00:03:54,070 CALL THEM WHEN THEY OPEN UP, 71 00:03:54,110 --> 00:03:56,580 SEE WHO SOLD OR RENTED COURT JESTER OUTFITS, 72 00:03:56,610 --> 00:03:58,070 IF THEY PAID WITH CREDIT CARDS, 73 00:03:58,110 --> 00:03:59,580 IF THEY GOT SECURITY CAMERAS. 74 00:03:59,610 --> 00:04:02,410 THAT'S WHAT I WAS I WAS GOING TO DO, YEAH. 75 00:04:02,450 --> 00:04:05,290 SO FANCY HAS GOT THAT COMPUTER TRAINING COURSE 76 00:04:05,320 --> 00:04:06,590 THE NEXT FEW DAYS. 77 00:04:06,620 --> 00:04:08,920 GOING TO GET THE SQUAD WIRED UP. 78 00:04:08,950 --> 00:04:11,420 HEY, EVEN MONEY GREG'S ADDICTED TO CHAT ROOMS 79 00:04:11,460 --> 00:04:12,630 WITHIN A WEEK. 80 00:04:14,460 --> 00:04:15,990 HEY, MORNING, DIANE. 81 00:04:16,030 --> 00:04:18,500 MORNING. YOU GUYS GET ANY SLEEP? 82 00:04:18,530 --> 00:04:19,830 COUPLE OF HOURS. 83 00:04:19,860 --> 00:04:21,260 ANOTHER 10 OR 15 YEARS, 84 00:04:21,300 --> 00:04:22,930 I'LL GET USED TO THIS DETECTIVE CHART. 85 00:04:22,970 --> 00:04:24,610 ANY WORD FROM THE HOSPITAL? 86 00:04:24,640 --> 00:04:26,280 HER AND HER BROTHER ARE STILL THERE. 87 00:04:26,300 --> 00:04:28,000 I TALKED TO THEM A LITTLE WHILE AGO. 88 00:04:28,040 --> 00:04:29,610 HE THINKS SHE'LL BE READY TO COME IN 89 00:04:29,640 --> 00:04:30,810 AND GIVE A STATEMENT IN ANOTHER HOUR OR SO. 90 00:04:30,840 --> 00:04:32,270 ANYTHING JUMP OUT? 91 00:04:32,310 --> 00:04:35,610 YEAH, FEELY TALKED TO HIS KEYSTONE KOPS SECURITY FORCE, 92 00:04:35,650 --> 00:04:37,290 FOUND OUT THAT SOME ASSHOLE 93 00:04:37,320 --> 00:04:39,120 DRESSED IN A COURT JESTER SUIT 94 00:04:39,150 --> 00:04:41,950 WAS HITTING ON ALL THE FEMALE GUESTS DOWN IN THE LOBBY. 95 00:04:41,990 --> 00:04:43,190 THEY WARNED HIM FIRST, 96 00:04:43,220 --> 00:04:44,490 THEN TOLD HIM TO HIT THE BRICKS. 97 00:04:44,520 --> 00:04:46,620 FEELY'S GUYS SAY THERE MUST HAVE BEEN 98 00:04:46,660 --> 00:04:48,620 AT LEAST FIVE OF THESE JESTER IDIOTS PRANCING AROUND. 99 00:04:48,660 --> 00:04:50,330 BELMONT HOTEL ‐‐ THAT'S WHERE YOUR RAPE WAS? 100 00:04:50,360 --> 00:04:51,990 YEAH, WHAT ABOUT IT? 101 00:04:52,030 --> 00:04:53,460 D.O.A. IN ROOM 813. 102 00:04:53,500 --> 00:04:55,670 YOU'RE SURE IT WAS THE BELMONT HOTEL? 103 00:04:55,700 --> 00:04:57,130 JUST TALKED TO THE COP AT THE SCENE. 104 00:04:57,170 --> 00:04:58,630 MAYBE CONNECTED TO THE RAPE? 105 00:04:58,670 --> 00:05:00,800 GOING TO HAVE TO TALK YOUR BUDDY FEELY OFF THE ROOF. 106 00:05:00,840 --> 00:05:02,800 HEAD OF SECURITY'S TOMMY FEELY, 107 00:05:02,840 --> 00:05:04,210 RETIRED OUT OF THE 3‐2. 108 00:05:04,240 --> 00:05:06,810 WHEN YOU SEE HIM, LET HIM KNOW I'M WAITING 109 00:05:06,850 --> 00:05:09,150 ON THOSE SECURITY TAPES FROM LAST NIGHT. 110 00:05:09,180 --> 00:05:10,980 THE RAPE WAS IN 407. 111 00:05:11,020 --> 00:05:12,820 LET US KNOW IF THEY LOOK CONNECTED. 112 00:05:12,850 --> 00:05:14,380 ANY SEMEN FROM THE RAPE KIT? 113 00:05:14,420 --> 00:05:16,220 LAB TESTS OUT FOR DNA AND BLOOD TYPE. 114 00:05:16,250 --> 00:05:18,220 I'M CHECKING ANYTHING ON COURT JESTER SUITS 115 00:05:18,260 --> 00:05:19,900 WITH THE LOCAL COSTUME SHOPS... 116 00:05:19,920 --> 00:05:22,160 WHEN THEY OPEN UP, SEEING AS IT WOULDN'T BE 117 00:05:22,190 --> 00:05:24,490 TOO FRUITFUL CALLING NOW WHEN THEY'RE CLOSED. 118 00:05:24,530 --> 00:05:27,430 YEAH. 119 00:05:36,880 --> 00:05:38,880 YOU'RE FEELY? 120 00:05:38,910 --> 00:05:41,180 YEAH. 121 00:05:41,210 --> 00:05:43,850 WORST 24 HOURS OF MY LIFE. 122 00:05:43,880 --> 00:05:45,210 YOU GOT ANYTHING ON THIS? 123 00:05:45,250 --> 00:05:47,180 HOUSEKEEPER FOUND HIM ABOUT 8:00 A. M. 124 00:05:47,220 --> 00:05:49,520 BEAT, CHOKED ‐‐ PINKY FINGER CUT OFF. 125 00:05:49,550 --> 00:05:51,720 THIS WAS A FULL‐ON BRAWL. NO ONE HEARD NOTHING? 126 00:05:51,760 --> 00:05:53,570 THE COUPLE NEXT DOOR HEARD SOME YELLING 127 00:05:53,590 --> 00:05:55,020 LAST NIGHT AROUND MIDNIGHT, 128 00:05:55,060 --> 00:05:56,060 MAYBE A SCREAM OR TWO. 129 00:05:56,090 --> 00:05:57,730 PEGGED IT FOR SOME KIND OF SEX DEAL 130 00:05:57,760 --> 00:06:00,200 OFF OF THAT MARDI GRAS DISASTER WE HAD HERE LAST NIGHT. 131 00:06:00,230 --> 00:06:01,730 HAD A RAPE/ASSAULT, TOO. 132 00:06:01,770 --> 00:06:02,870 YEAH, WE HEARD. 133 00:06:02,900 --> 00:06:03,870 YOU THINK THEY'RE CONNECTED? 134 00:06:03,900 --> 00:06:04,900 WE JUST GOT HERE. 135 00:06:04,940 --> 00:06:06,880 WHO'S THE ROOM REGISTERED TO? 136 00:06:06,910 --> 00:06:08,910 JOHN WILLIAMS ‐‐ PAID IN CASH. 137 00:06:08,940 --> 00:06:11,040 GEE, I WONDER WHAT THE ODDS ARE 138 00:06:11,080 --> 00:06:13,050 THAT BEING HIS REAL NAME? 139 00:06:13,080 --> 00:06:14,920 SIPOWICZ IS WAITING ON THOSE SECURITY TAPES. 140 00:06:14,950 --> 00:06:16,390 YEAH, LET ME GO CHECK ON THOSE, 141 00:06:16,410 --> 00:06:18,410 ASSUMING I STILL GOT A JOB. 142 00:06:21,990 --> 00:06:23,460 THIS IS MIKE STURTEVANT. 143 00:06:23,490 --> 00:06:25,730 I'VE HAD PRIOR CONTACT WITH THIS BUM. HE'S A PIMP. 144 00:06:25,760 --> 00:06:27,430 CELL PHONE IN HIS POCKET. 145 00:06:27,460 --> 00:06:29,960 WE HAVE A FUTURE DETECTIVE IN OUR MIDST. 146 00:06:29,990 --> 00:06:31,390 THAT'S MY GOAL, SIR. 147 00:06:31,430 --> 00:06:34,230 OH, I FOUND THIS UNDER THE COFFEE TABLE. 148 00:06:34,270 --> 00:06:36,810 ARE YOU GIVING ME THE FINGER, OFFICER? 149 00:06:36,840 --> 00:06:38,740 SO WHO WENT THROUGH HIS POCKETS? 150 00:06:38,770 --> 00:06:40,140 THAT SECURITY GUY. 151 00:06:40,170 --> 00:06:42,140 HE HAD THEM EMPTIED OUT BY THE TIME I SHOWED UP. 152 00:06:42,170 --> 00:06:43,740 FEELY? HE WAS ON THE JOB, RIGHT? 153 00:06:43,780 --> 00:06:45,150 AND HE SHOULD KNOW BETTER. 154 00:06:45,180 --> 00:06:47,150 DO YOU WANT ME TO RUN THE CELL PHONE NUMBERS? 155 00:06:47,180 --> 00:06:48,480 NO, SLOW DOWN THERE, TIGER. 156 00:06:48,510 --> 00:06:50,080 ABSOLUTELY. 157 00:06:50,110 --> 00:06:52,080 IT'S ALL YOURS. 158 00:06:52,120 --> 00:06:54,760 BRAINED HIM WITH THE PHONE, IT LOOKS LIKE, 159 00:06:54,790 --> 00:06:57,600 AND THEN STRANGLED HIM OFF WITH THE CORD FOR DESSERT. 160 00:06:57,620 --> 00:06:58,590 A WHITE PIMP, HUH? 161 00:06:58,620 --> 00:07:00,460 YEAH, HOW ABOUT THAT, D.? 162 00:07:09,470 --> 00:07:11,780 I CAN GET YOU SOME COFFEE OR SOMETHING. 163 00:07:11,800 --> 00:07:13,270 NO, WE'RE OKAY. 164 00:07:13,300 --> 00:07:15,600 WE REALLY APPRECIATE YOUR COMING IN. 165 00:07:15,640 --> 00:07:18,640 I JUST WANT TO GET THIS OVER WITH AND GET BACK HOME. 166 00:07:18,680 --> 00:07:20,790 WE UNDERSTAND. 167 00:07:20,810 --> 00:07:22,480 HOW'S YOUR DAUGHTER? 168 00:07:22,510 --> 00:07:25,480 I TALKED TO HER ON THE PHONE FROM THE HOSPITAL. 169 00:07:25,520 --> 00:07:27,330 I STILL DON'T KNOW WHAT TO TELL HER. 170 00:07:27,350 --> 00:07:29,150 WERE YOU ABLE TO GET LEADS ON WHO MIGHT HAVE DONE THIS? 171 00:07:29,190 --> 00:07:31,460 NOT YET. 172 00:07:31,490 --> 00:07:33,120 WHAT WE NEED TO DO NOW ‐‐ 173 00:07:33,160 --> 00:07:35,470 AND I KNOW IT'S GOING TO BE DIFFICULT ‐‐ 174 00:07:35,490 --> 00:07:37,130 IS GET A FORMAL STATEMENT 175 00:07:37,160 --> 00:07:39,130 ABOUT WHAT HAPPENED LAST NIGHT. 176 00:07:39,160 --> 00:07:40,500 CAN YOU DO THAT, DEBORAH? 177 00:07:40,530 --> 00:07:42,460 I'LL TRY. 178 00:07:42,500 --> 00:07:46,300 WE WERE ALL SUPPOSED TO GO TO "THE LION KING" LAST NIGHT. 179 00:07:46,340 --> 00:07:48,210 WHO'S "WE"? ME. 180 00:07:48,240 --> 00:07:50,040 MY GIRLFRIEND CATHY WHO CAME UP WITH US, 181 00:07:50,070 --> 00:07:51,370 AND MY DAUGHTER RACHEL. 182 00:07:51,410 --> 00:07:53,640 A COUPLE HOURS BEFORE, THOUGH, 183 00:07:53,680 --> 00:07:55,640 I FELT A MIGRAINE COMING ON, 184 00:07:55,680 --> 00:07:57,480 AND I COULDN'T GO. 185 00:07:57,520 --> 00:08:00,360 I SHOULD HAVE GONE, THOUGH. 186 00:08:00,380 --> 00:08:02,350 I SHOULD HAVE JUST TOUGHED IT OUT. 187 00:08:03,590 --> 00:08:05,490 AT AROUND 9:00, I WENT DOWN THE HALL 188 00:08:05,520 --> 00:08:09,520 TO GET SOME ICE FOR A COLD COMPRESS. 189 00:08:09,560 --> 00:08:11,990 THE PAIN WAS SO GREAT, 190 00:08:12,030 --> 00:08:13,060 I COULDN'T FOCUS. 191 00:08:13,100 --> 00:08:15,370 DID YOU LOCK THE DOOR BEHIND YOU? 192 00:08:17,200 --> 00:08:18,370 I, UH... 193 00:08:18,400 --> 00:08:21,540 I SHUT THE DOOR WITH THE DEAD BOLT OUT 194 00:08:21,570 --> 00:08:22,700 SO IT WOULDN'T LOCK SHUT. 195 00:08:22,740 --> 00:08:25,010 WAS THIS GUY ALREADY IN THE ROOM 196 00:08:25,040 --> 00:08:26,840 WHEN YOU GOT BACK? 197 00:08:26,880 --> 00:08:28,540 AND HE CHOKED ME. 198 00:08:28,580 --> 00:08:31,380 AND HE TOLD ME HE'D KILL ME 199 00:08:31,420 --> 00:08:33,220 IF I MADE A SOUND, 200 00:08:33,250 --> 00:08:35,920 AND I TURNED MY HEAD TO THE SIDE 201 00:08:35,950 --> 00:08:37,850 SO THAT I COULD BREATHE 202 00:08:37,890 --> 00:08:40,720 BECAUSE HIS ARM WAS CRUSHING MY ‐‐ 203 00:08:40,760 --> 00:08:43,520 MY WINDPIPE, AND I SAW THE MASK. 204 00:08:43,560 --> 00:08:47,060 IT WAS THIS WHITE MASK WITH THESE 205 00:08:47,100 --> 00:08:50,400 SCARY RED SMILING LIPS. 206 00:08:50,430 --> 00:08:53,530 I FELT LIKE I WAS IN A NIGHTMARE. 207 00:08:53,570 --> 00:08:55,270 Diane: IT'S OKAY. 208 00:08:57,080 --> 00:09:00,050 AND THEN HE RAPED ME 209 00:09:00,080 --> 00:09:02,410 AND HE BEAT ME, 210 00:09:02,450 --> 00:09:05,060 AND I TOLD HIM HE DIDN'T HAVE TO HIT ME, 211 00:09:05,080 --> 00:09:08,380 THAT I WOULDN'T SCREAM OR MAKE HIM STOP, 212 00:09:08,420 --> 00:09:10,550 BUT HE SAID, "SHUT UP," 213 00:09:10,590 --> 00:09:13,220 AND HE JUST KEPT ON HITTING ME. 214 00:09:13,260 --> 00:09:15,470 [ SOBBING ] 215 00:09:28,110 --> 00:09:30,420 D.O.A. AT THE BELMONT'S A PIMP. 216 00:09:30,440 --> 00:09:32,440 THE ROOM WAS REGISTERED UNDER A BOGUS NAME. 217 00:09:32,480 --> 00:09:34,420 WE PULLED THE LAST NUMBER DIALED FROM HIS CELL PHONE. 218 00:09:34,450 --> 00:09:35,750 IT CAME BACK TO A STELLA KENSINGTON. 219 00:09:35,780 --> 00:09:37,110 BASED ON HER PRIORS, 220 00:09:37,150 --> 00:09:39,250 WE FIGURE HER FOR ONE OF HIS WHORES. 221 00:09:39,280 --> 00:09:41,420 WE DEPUTIZED THIS COP RAMOS. HE'S PICKING HER UP. 222 00:09:41,450 --> 00:09:43,080 YOU RUN INTO FEELY? 223 00:09:43,120 --> 00:09:44,750 YEAH, HE'S HAD BETTER DAYS, FOR SURE. 224 00:09:44,790 --> 00:09:46,120 WHERE'S THOSE SECURITY TAPES 225 00:09:46,160 --> 00:09:47,770 I'VE BEEN WAITING ON ALL MORNING? 226 00:09:47,790 --> 00:09:49,090 HE WAS GETTING AN EARFUL FROM HOTEL BRASS 227 00:09:49,130 --> 00:09:50,500 LAST WE LEFT HIM. 228 00:09:50,530 --> 00:09:52,590 HE NEEDS TO GET HIS ASS OVER HERE WITH THOSE TAPES. 229 00:09:52,630 --> 00:09:54,260 YEAH, I'LL CALL HIM RIGHT NOW. 230 00:09:54,300 --> 00:09:56,430 IS EVERYTHING ALL RIGHT? 231 00:09:56,470 --> 00:09:58,440 THAT RAPE VICTIM FROM LAST NIGHT'S 232 00:09:58,470 --> 00:09:59,770 IN INTERVIEW THREE. 233 00:09:59,800 --> 00:10:01,140 GOTCHA. 234 00:10:07,480 --> 00:10:09,380 ALL RIGHT. TAKE IT EASY. 235 00:10:16,660 --> 00:10:19,130 DIANE ALL RIGHT? 236 00:10:19,160 --> 00:10:21,830 YEAH. YOU KNOW, ANDY, I DON'T WANT YOU TO THINK 237 00:10:21,860 --> 00:10:23,520 THAT BY NOT TALKING TO YOU ABOUT IT, 238 00:10:23,560 --> 00:10:25,160 I'M PULLING SOMETHING OVER ON YOU. 239 00:10:25,200 --> 00:10:27,140 AND WHAT WOULD THAT BE? 240 00:10:27,170 --> 00:10:28,370 YOU GOING TO MAKE ME SAY IT? 241 00:10:28,400 --> 00:10:30,870 YOU DON'T HAVE TO SPILL YOUR GUTS TO ME... 242 00:10:30,900 --> 00:10:32,000 [ URINAL FLUSHES ] 243 00:10:32,040 --> 00:10:33,680 EVERY DETAIL OF YOUR LIFE. 244 00:10:33,710 --> 00:10:35,010 YEAH, BUT THIS ‐‐ 245 00:10:35,040 --> 00:10:36,470 I'VE BEEN WANTING TO TALK TO YOU ABOUT THIS, 246 00:10:36,510 --> 00:10:39,520 BUT I GUESS I WAS AFRAID THAT YOU'D TELL ME TO QUIT, 247 00:10:39,540 --> 00:10:40,980 AND I'M NOT ABOUT TO. 248 00:10:41,010 --> 00:10:42,680 I WOULDN'T TELL YOU THAT. 249 00:10:42,710 --> 00:10:45,380 THERE ARE THINGS I WOULD TELL YOU 250 00:10:45,420 --> 00:10:47,030 REGARDING THE JOB ‐‐ 251 00:10:47,050 --> 00:10:48,820 REPERCUSSIONS AND SO FORTH IF THIS GETS OUT ‐‐ 252 00:10:48,850 --> 00:10:50,820 BUT I FIGURE YOU KNOW ABOUT THAT. 253 00:10:50,860 --> 00:10:53,000 I DO. 254 00:10:53,020 --> 00:10:55,020 I KNOW DIANE DOES. 255 00:10:58,360 --> 00:10:59,860 SHE'S HAPPY? 256 00:10:59,900 --> 00:11:00,860 YEAH. 257 00:11:00,900 --> 00:11:02,530 YOU'RE HAPPY? 258 00:11:02,570 --> 00:11:04,010 DEFINITELY. 259 00:11:04,040 --> 00:11:05,010 OKAY, THEN. 260 00:11:05,040 --> 00:11:06,410 I DIDN'T KNOW BOBBY. 261 00:11:06,440 --> 00:11:09,550 IN THAT SENSE, I DON'T FEEL I'M BETRAYING HIM. 262 00:11:09,570 --> 00:11:12,240 I JUST DON'T WANT TO FEEL LIKE I'M BETRAYING YOU. 263 00:11:12,280 --> 00:11:14,090 NO, YOU AND ME ARE STRAIGHT. 264 00:11:14,110 --> 00:11:16,750 I APPRECIATE THAT, ANDY. 265 00:11:16,780 --> 00:11:19,750 YOU'RE HAPPY, SHE'S HAPPY. 266 00:11:39,740 --> 00:11:41,600 YOU RENT JESTER OUTFITS? 267 00:11:41,640 --> 00:11:43,710 CAN YOU CHECK? THANKS. 268 00:11:43,740 --> 00:11:45,110 NO, COURT JESTER. 269 00:11:45,140 --> 00:11:46,540 ALL RIGHT, THANKS. 270 00:11:46,580 --> 00:11:48,910 ALL RIGHT, LOOK, YOU DON'T KNOW WHAT I'M TALKING ABOUT, 271 00:11:48,950 --> 00:11:51,390 YOU PROBABLY DON'T CARRY THEM, RIGHT? 272 00:11:51,420 --> 00:11:53,090 HOW'S IT GOING IN THERE? 273 00:11:53,120 --> 00:11:55,290 SHE'S STILL IN A LOT OF PAIN. 274 00:11:55,320 --> 00:11:57,790 I CAN IMAGINE. ARE YOU OKAY? 275 00:12:01,430 --> 00:12:06,100 THERE A DETECTIVE JONES HERE? I'M STELLA. 276 00:12:10,800 --> 00:12:12,900 THERE'S... 277 00:12:12,940 --> 00:12:14,650 OKAY. 278 00:12:17,640 --> 00:12:19,810 WHAT'S HIS PROBLEM? 279 00:12:19,840 --> 00:12:22,410 I WAS GOING TO ASK YOU. 280 00:12:22,450 --> 00:12:23,620 RIGHT THIS WAY. 281 00:12:25,980 --> 00:12:28,420 YOU NEED A TELEPHONE BOOK OR SOMETHING? 282 00:12:28,450 --> 00:12:29,920 KISS MY ASS. 283 00:12:29,950 --> 00:12:31,420 I WAS JUST OFFERING. 284 00:12:31,460 --> 00:12:33,770 MIKE STURTEVANT ‐‐ HOW LONG HAS HE BEEN PIMPING YOU? 285 00:12:33,790 --> 00:12:35,420 HE'S MY MANAGER. 286 00:12:35,460 --> 00:12:37,090 WE RAN BOTH OF YOU FOR RECORDS. 287 00:12:37,130 --> 00:12:38,090 THERE'S NOTHING IN THERE 288 00:12:38,130 --> 00:12:39,460 ABOUT 2‐WEEK LOUNGE GIGS IN THE CATSKILLS. 289 00:12:39,500 --> 00:12:41,470 THREE YEARS I'VE WORKED FOR HIM. 290 00:12:41,500 --> 00:12:44,300 HE CALLED YOU AT HOME LAST NIGHT AT 9:30. SO? 291 00:12:44,340 --> 00:12:46,440 IT WAS THE LAST PHONE CALL HE MADE. 292 00:12:46,470 --> 00:12:48,270 THE LAST CALL HE MADE LAST NIGHT. 293 00:12:48,310 --> 00:12:50,780 THE LAST PHONE CALL HE'S EVER GONNA MAKE. 294 00:12:50,810 --> 00:12:52,340 OH, MY GOD. 295 00:12:52,380 --> 00:12:54,290 WHAT WAS THE CALL ABOUT? 296 00:12:54,310 --> 00:12:56,310 HE WAS GOING TO A POKER GAME 297 00:12:56,350 --> 00:12:57,790 OVER AT THE BELMONT. 298 00:12:57,820 --> 00:12:59,460 SAID HE WAS GOING TO BE UNAVAILABLE 299 00:12:59,480 --> 00:13:01,780 AND WANTED TO MAKE SURE I WAS ON FOR MY 10:00 DATE. 300 00:13:01,820 --> 00:13:03,180 OH, MY GOD. 301 00:13:03,220 --> 00:13:05,120 DID HE SAY WHO HE WAS PLAYING CARDS WITH? 302 00:13:05,160 --> 00:13:08,130 NO, BUT BRENDA MIGHT KNOW. THAT'S HIS BOTTOM LADY. 303 00:13:08,160 --> 00:13:10,530 I'M MEETING HER FOR LUNCH, SO I COULD ASK HER THEN. 304 00:13:10,560 --> 00:13:11,830 WE'LL ASK HER. 305 00:13:11,860 --> 00:13:13,360 WHERE YOU MEETING FOR LUNCH? 306 00:13:13,400 --> 00:13:15,740 STRUTHER'S, OVER ON LEX AT 12:30. 307 00:13:17,870 --> 00:13:20,040 SO, YOU WORK PRETTY STEADY, 308 00:13:20,070 --> 00:13:22,500 OR IS IT MORE THE BACHELOR PARTY, 309 00:13:22,540 --> 00:13:23,870 SHRINER CONVENTION TYPE THING? 310 00:13:23,910 --> 00:13:25,810 BOOKED SOLID. 311 00:13:25,840 --> 00:13:27,140 HUH. I'LL BE DARNED. 312 00:13:27,180 --> 00:13:29,210 BRENDA'S LAST NAME? 313 00:13:29,250 --> 00:13:30,220 MARTIN. 314 00:13:30,250 --> 00:13:31,880 BRENDA'S A MIDGET, TOO? 315 00:13:31,920 --> 00:13:33,390 IT'S LITTLE PERSON, ASSHOLE. 316 00:13:33,420 --> 00:13:35,060 LIKE I'M SUPPOSED TO KNOW THAT. 317 00:13:35,090 --> 00:13:37,500 YOU KNOW, YOU'RE NOT SO TALL YOURSELF. 318 00:13:37,520 --> 00:13:39,320 IS BRENDA A LITTLE PERSON, TOO? 319 00:13:39,360 --> 00:13:42,000 NO, SHE'S BIG, BLONDE HAIR. 320 00:13:42,030 --> 00:13:43,530 POOR MIKE. 321 00:13:43,560 --> 00:13:46,830 HE WAS A SPECIAL GUY. 322 00:13:46,870 --> 00:13:48,840 WE COULD LOCK YOU UP TILL AFTER LUNCH 323 00:13:48,870 --> 00:13:51,540 TO MAKE SURE YOU DON'T TIP BRENDA FOR WHATEVER REASON, 324 00:13:51,570 --> 00:13:53,740 BUT, UH, SHE'S BEEN PRETTY HELPFUL. 325 00:13:53,770 --> 00:13:56,910 NO, I'M COOL. I WON'T TALK TO HER. 326 00:13:56,940 --> 00:13:59,740 YOU CAN GO, THEN. 327 00:14:10,560 --> 00:14:12,860 I KNEW A MIDGET IN HIGH SCHOOL. 328 00:14:12,890 --> 00:14:14,590 WENDY OVERACKER. 329 00:14:14,630 --> 00:14:16,400 YEAH, HUH? 330 00:14:16,430 --> 00:14:18,100 SHE WAS VOTED BEST SCHOOL SPIRIT. 331 00:14:18,130 --> 00:14:21,530 SPUNKY LITTLE THING. 332 00:14:21,570 --> 00:14:23,540 WOULD YOU GO OUT WITH HER? 333 00:14:23,570 --> 00:14:24,700 WOULD YOU? 334 00:14:24,740 --> 00:14:26,780 I ASKED YOU FIRST. 335 00:14:26,810 --> 00:14:29,080 COME ON. THIS STAYS IN THE ROOM. 336 00:14:31,240 --> 00:14:34,210 I GUESS UNDER THE RIGHT CIRCUMSTANCES. 337 00:14:34,250 --> 00:14:37,720 YOU KNOW, BUSINESS TRIP, SOMETHING LIKE THAT. 338 00:14:37,750 --> 00:14:39,720 YEAH, I'D GIVE IT A WHIRL. 339 00:14:39,750 --> 00:14:40,880 WOULD YOU? 340 00:14:40,920 --> 00:14:43,590 NEVER THOUGHT ABOUT IT. 341 00:14:45,660 --> 00:14:48,670 WELL, IT'S NOT LIKE IT'S BEEN KEEPING ME UP NIGHTS. 342 00:15:02,340 --> 00:15:03,640 WHAT'S THIS? 343 00:15:03,680 --> 00:15:06,120 OH, THAT MIDGET WOMAN LEFT IT. 344 00:15:06,140 --> 00:15:08,580 CAN YOU CALL HER UP AND ARRANGE GETTING IT BACK? 345 00:15:08,610 --> 00:15:11,080 LITTLE PERSON. THEY DON'T LIKE ‐‐ 346 00:15:11,120 --> 00:15:14,530 OKAY, OKAY, CAN YOU JUST TAKE CARE OF IT FOR ME? 347 00:15:19,820 --> 00:15:22,920 HEY, GUYS. WE HAVE THE SECURITY TAPES, 348 00:15:22,960 --> 00:15:24,590 PLUS EMPLOYEES LIST, 349 00:15:24,630 --> 00:15:26,130 MARDI GRAS GUEST LIST, 350 00:15:26,160 --> 00:15:28,100 EVERYTHING I COULD THINK OF. 351 00:15:28,130 --> 00:15:30,930 I DON'T SUPPOSE YOU GOT ANY LEADS ON THE RAPE, HUH? 352 00:15:30,970 --> 00:15:32,770 WHO'S THE SUIT? 353 00:15:32,800 --> 00:15:35,770 OH, ANDY, CAN YOU AND ME TALK IN A PRIVATE ROOM? 354 00:15:35,810 --> 00:15:37,780 WHO'S THE SUIT, FEELY? 355 00:15:37,810 --> 00:15:39,940 LAWYER FROM THE HOTEL. 356 00:15:39,980 --> 00:15:42,940 THEY WANT TO TRY AND SETTLE WITH THE RAPE VICTIM ASAP. 357 00:15:42,980 --> 00:15:45,110 WE'RE GOING TO GO HAVE A CONVERSATION 358 00:15:45,150 --> 00:15:46,620 WITH THE D. O. A. PIMP'S BOTTOM LADY. 359 00:15:46,650 --> 00:15:48,480 ANY MOVEMENT ON THAT? 360 00:15:48,520 --> 00:15:50,790 NOTHING PAST WHAT I JUST SAID. 361 00:15:50,820 --> 00:15:52,620 ARE THOSE THE SECURITY TAPES? RIGHT HERE. 362 00:15:52,660 --> 00:15:54,870 YEAH, WE'RE GOING TO NEED TAPE FROM THE FRONT DESK CAMERA. 363 00:15:54,890 --> 00:15:56,860 SEE WHO CHECKED INTO ROOM 813. 364 00:15:56,900 --> 00:15:59,470 THINK THEY'RE CONNECTED, RAPE AND D. O. A.? 365 00:15:59,500 --> 00:16:01,470 WE DON'T KNOW YET. 366 00:16:01,500 --> 00:16:03,200 WHAT DO YOU SAY, ANDY? 367 00:16:03,230 --> 00:16:04,830 BROKERING THE SIT‐DOWN 368 00:16:04,870 --> 00:16:07,540 COULD GO A LONG WAY TO SAVING MY JOB, 369 00:16:07,570 --> 00:16:09,200 AND WHAT I GATHERED, 370 00:16:09,240 --> 00:16:11,870 BECAUSE OF THE P. R. JACKPOT THE RAPE AND MURDER GOT US IN ‐‐ 371 00:16:11,910 --> 00:16:14,040 THEY'RE TALKING MAJOR NUMBERS HERE. 372 00:16:14,080 --> 00:16:16,850 COULD BE A NICE WINDFALL FOR THESE POOR PEOPLE. 373 00:16:18,020 --> 00:16:19,990 YOU GUYS CAN BE IN THE ROOM IF YOU WANT. 374 00:16:20,020 --> 00:16:21,480 YOU SURE, FEELY? 375 00:16:21,520 --> 00:16:23,690 I MEAN, WE WOULDN'T BE PUTTING YOU OUT? 376 00:16:23,720 --> 00:16:25,220 COME ON, ANDY. 377 00:16:25,260 --> 00:16:28,730 GO AHEAD. I'LL TAKE CARE OF THIS. 378 00:16:28,760 --> 00:16:31,190 THANKS A MILLION, ANDY. 379 00:16:37,570 --> 00:16:39,740 WHAT'S UP? 380 00:16:39,770 --> 00:16:42,570 DEBORAH, THERE'S A LAWYER HERE FOR THE HOTEL, 381 00:16:42,610 --> 00:16:45,050 AND BECAUSE OF WHAT HAPPENED, 382 00:16:45,080 --> 00:16:47,850 THEY'RE READY TO MAKE YOU A SETTLEMENT OFFER. 383 00:16:47,880 --> 00:16:50,380 I DON'T KNOW ANYTHING ABOUT THE NUMBERS 384 00:16:50,410 --> 00:16:52,380 OR WHAT THEY'RE GOING TO ASK, 385 00:16:52,420 --> 00:16:54,730 BUT I'M SURE IT'S GOING TO INVOLVE 386 00:16:54,750 --> 00:16:56,250 A CONFIDENTIALITY ASPECT ‐‐ 387 00:16:56,290 --> 00:16:57,860 NOT TALKING TO THE PRESS AND THE LIKE. 388 00:16:57,890 --> 00:16:59,520 YOU THINK WE SHOULD TALK TO HIM? 389 00:16:59,560 --> 00:17:01,590 DO YOU FEEL UP TO IT? 390 00:17:01,630 --> 00:17:04,240 IF NOT, I'LL TELL HIM TO GET LOST. 391 00:17:06,730 --> 00:17:09,200 I GUESS WE GOT TO DEAL WITH IT SOONER OR LATER. 392 00:17:09,230 --> 00:17:11,600 YOU TELL ME WHAT YOU WANT TO DO. 393 00:17:12,800 --> 00:17:14,440 WILL YOU STAY HERE? 394 00:17:14,470 --> 00:17:15,570 OF COURSE. 395 00:17:18,580 --> 00:17:20,620 WE'LL TALK TO HIM, I GUESS. 396 00:17:31,760 --> 00:17:33,900 DEBORAH, MY NAME IS JAMES EDELMAN. 397 00:17:33,930 --> 00:17:37,070 I'M AN ATTORNEY REPRESENTING THE BELMONT HOTEL. 398 00:17:37,100 --> 00:17:39,140 ON BEHALF OF MY EMPLOYERS, 399 00:17:39,160 --> 00:17:41,400 I WANT TO TELL YOU HOW DEEPLY SORRY WE ARE. 400 00:17:41,430 --> 00:17:43,230 THANK YOU. 401 00:17:43,270 --> 00:17:45,410 NOW, I'M HERE RIGHT NOW TO OFFER A SETTLEMENT, 402 00:17:45,440 --> 00:17:47,280 BUT I'LL WALK OUT THE DOOR 403 00:17:47,310 --> 00:17:49,580 IF THIS IS A PREMATURE CONVERSATION. 404 00:17:49,610 --> 00:17:51,610 I DO NOT WANT TO OFFEND YOU. 405 00:17:51,640 --> 00:17:53,740 I UNDERSTAND. 406 00:17:53,780 --> 00:17:55,740 THE ALTERNATIVE TO A SETTLEMENT AGREEMENT 407 00:17:55,780 --> 00:17:57,810 THAT WE COULD MAKE HAPPEN TODAY 408 00:17:57,850 --> 00:17:59,580 IS YOU TAKING THE HOTEL TO COURT. 409 00:17:59,620 --> 00:18:01,750 YOU'D WIN, AS I'M SURE THESE DETECTIVES WOULD TELL YOU. 410 00:18:01,790 --> 00:18:04,760 THESE DETECTIVES ARE NOT PART OF THIS NEGOTIATION. 411 00:18:04,790 --> 00:18:07,090 FORGIVE ME. 412 00:18:07,130 --> 00:18:10,470 BUT AFTER YOU WIN, THE HOTEL WOULD APPEAL, 413 00:18:10,490 --> 00:18:12,760 AND THIS PROCESS COULD GO ON FOR YEARS, 414 00:18:12,800 --> 00:18:14,640 KEEPING YOU MIRED IN THE DETAILS 415 00:18:14,670 --> 00:18:17,810 OF WHAT I'M SURE IS THE WORST EXPERIENCE OF YOUR LIFE. 416 00:18:17,840 --> 00:18:20,610 I WANT THIS OVER WITH. I WANT TO GO HOME. 417 00:18:20,640 --> 00:18:23,100 I WILL CUT YOU A CHECK 418 00:18:23,140 --> 00:18:26,610 FOR $500,000 TODAY, 419 00:18:26,650 --> 00:18:29,120 AND YOU WILL NOT HAVE TO GIVE 1/3 TO AN ATTORNEY, 420 00:18:29,150 --> 00:18:31,490 ALTHOUGH I'M NOT TRYING TO TALK YOU OUT OF GETTING ONE. 421 00:18:31,520 --> 00:18:35,530 $500,000 ‐‐ A HALF A MILLION DOLLARS ‐‐ 422 00:18:35,550 --> 00:18:39,150 AND YOU CAN START HEALING AND GET ON WITH YOUR LIFE 423 00:18:39,190 --> 00:18:42,820 IN FINANCIAL COMFORT. 424 00:18:42,860 --> 00:18:44,660 WHAT DO YOU THINK? 425 00:18:44,700 --> 00:18:46,810 IT'S UP TO YOU, DEBORAH. 426 00:18:46,830 --> 00:18:49,830 I CAN'T TELL YOU ONE WAY OR THE OTHER. 427 00:18:49,870 --> 00:18:52,900 I WANT THIS BEHIND ME. 428 00:18:57,340 --> 00:18:59,040 HOW ‐‐ HOW DO WE DO THIS? 429 00:18:59,080 --> 00:19:00,890 I'VE GOT A CAR OUTSIDE. 430 00:19:00,910 --> 00:19:03,140 WE CAN GO BACK TO MY OFFICE RIGHT NOW. 431 00:19:03,180 --> 00:19:05,650 DO YOU NEED THEM FOR ANYTHING ELSE? 432 00:19:05,680 --> 00:19:07,750 NO. WE'RE DONE FOR NOW. 433 00:19:10,190 --> 00:19:13,020 THANK YOU FOR BEING THERE FOR ME. 434 00:19:13,060 --> 00:19:15,230 IT REALLY MEANT A LOT. 435 00:19:15,260 --> 00:19:18,090 TAKE CARE OF YOURSELF. 436 00:19:20,030 --> 00:19:21,060 THANKS. 437 00:19:35,880 --> 00:19:38,010 FREAK SHOW THEY HAD THERE LAST NIGHT. 438 00:19:38,050 --> 00:19:39,850 HOTEL WAS TEEMING WITH FREAKS. 439 00:19:39,880 --> 00:19:41,220 I FOUND THREE CALLS 440 00:19:41,250 --> 00:19:43,590 OUT OF DEBORAH'S ROOM YESTERDAY. 441 00:19:43,620 --> 00:19:46,190 ONE TO 911, ONE TO ROGER'S APARTMENT, 442 00:19:46,220 --> 00:19:47,260 AND ONE AT 11:00 A. M. 443 00:19:47,290 --> 00:19:48,860 TO AN OFFICE AT ALLIED INSURANCE IN ASTORIA. 444 00:19:48,890 --> 00:19:51,060 DEBORAH'S BROTHER WORK INSURANCE IN QUEENS? 445 00:19:51,100 --> 00:19:52,770 NO. HE WORKS IN THE CITY. 446 00:19:52,800 --> 00:19:55,770 I'LL CHECK OUT WHO THIS IS, HAVE HIM COME IN. 447 00:20:02,410 --> 00:20:05,220 ANDY, CAN WE TALK A MINUTE? 448 00:20:05,240 --> 00:20:07,780 YEAH. SURE. 449 00:20:07,810 --> 00:20:09,950 I GUESS YOU'VE FIGURED OUT 450 00:20:09,980 --> 00:20:11,710 DANNY AND ME, WE'VE GOTTEN CLOSE LATELY. 451 00:20:11,750 --> 00:20:14,120 YEAH, WITH YOU TWO HAVING TO COVER FOR ME 452 00:20:14,150 --> 00:20:15,450 THE LAST SIX MONTHS, 453 00:20:15,490 --> 00:20:17,900 WHICH I NEVER GOT A CHANCE TO THANK YOU FOR THAT. 454 00:20:17,920 --> 00:20:21,390 I MEAN CLOSE LIKE INTIMATE. 455 00:20:21,430 --> 00:20:24,070 OKAY. 456 00:20:24,100 --> 00:20:26,570 IS IT WITH YOU? 457 00:20:26,600 --> 00:20:29,460 'CAUSE THAT'S PART OF WHAT'S BEEN EATING ME UP ‐‐ 458 00:20:29,500 --> 00:20:32,800 HOW YOU'D FEEL ABOUT IT. 459 00:20:32,840 --> 00:20:34,810 COMES A POINT 460 00:20:34,840 --> 00:20:37,910 WHEN YOU HAVE TO FIND A WAY TO BE HAPPY, 461 00:20:37,940 --> 00:20:39,980 OR AT LEAST BE WILLING TO ACCEPT IT 462 00:20:40,010 --> 00:20:41,410 WHEN IT COMES YOUR WAY. 463 00:20:41,450 --> 00:20:44,090 BUT THEN THERE'S HOW I FEEL AFTERWARDS, 464 00:20:44,120 --> 00:20:47,290 AND IF I'D KNOWN I WOULD HAVE FELT THAT BAD, 465 00:20:47,320 --> 00:20:49,280 I NEVER WOULD HAVE GONE THROUGH WITH THIS, 466 00:20:49,320 --> 00:20:52,950 NOT JUST FOR MY SAKE, BUT FOR DANNY'S, TOO. 467 00:20:52,990 --> 00:20:55,590 HE'S STILL A KID IN A LOT OF WAYS. 468 00:20:55,630 --> 00:20:58,600 IF YOU THINK THIS IS WRONG LIKE THIS, 469 00:20:58,630 --> 00:21:00,930 MAYBE YOU'D GIVE HIM A HEADS‐UP 470 00:21:00,970 --> 00:21:03,440 BEFORE HE LEAVES HIS FEET MORE THAN HE ALREADY HAS. 471 00:21:03,470 --> 00:21:08,310 IT'S BEEN ALMOST TWO YEARS SINCE BOBBY PASSED, 472 00:21:08,340 --> 00:21:12,310 AND I'M MORE SCREWED UP NOW THAN I WAS THEN. 473 00:21:12,340 --> 00:21:17,010 MAYBE IT'S TOUGHER NOW BECAUSE YOU'RE WAKING UP... 474 00:21:17,050 --> 00:21:19,820 COMING ALIVE. 475 00:21:19,850 --> 00:21:22,020 MAYBE. 476 00:21:22,050 --> 00:21:23,950 ALL I KNOW IS, 477 00:21:23,990 --> 00:21:26,820 IT'S SO UNFAIR. 478 00:21:26,860 --> 00:21:30,160 IT'LL ALWAYS BE UNFAIR, HIM LEAVING THAT SOON. 479 00:21:50,180 --> 00:21:52,980 Danny: THANKS FOR COMING IN, JIM. 480 00:21:53,020 --> 00:21:54,660 SURE. 481 00:21:54,690 --> 00:21:57,060 HOW LONG YOU BEEN WORKING FOR ALLIED INSURANCE? 482 00:21:57,090 --> 00:21:58,990 OH, UH, 483 00:21:59,020 --> 00:22:01,360 GOING ON THREE YEARS NOW. 484 00:22:01,390 --> 00:22:04,160 SO, YOU THINK NOW YOU COULD TELL ME 485 00:22:04,200 --> 00:22:06,710 WHAT INVESTIGATION MY NAME CAME UP IN? 486 00:22:06,730 --> 00:22:09,330 DO YOU KNOW DEBORAH JOHANSEN OR CATHY ALDERSON? 487 00:22:09,370 --> 00:22:11,340 NO. 488 00:22:11,370 --> 00:22:13,000 SO NEITHER OF THEM CALLED YOU YESTERDAY? 489 00:22:13,040 --> 00:22:15,010 WHY? WHAT DID THEY SAY? 490 00:22:15,040 --> 00:22:17,570 YOU THINK MAYBE WE'RE GETTING OFF ON THE WRONG FOOT? 491 00:22:17,610 --> 00:22:20,340 OKAY. I WENT TO HIGH SCHOOL WITH DEBORAH AND CATHY. 492 00:22:20,380 --> 00:22:21,880 IS SOMETHING WRONG? 493 00:22:21,910 --> 00:22:23,750 SO ONE OF THEM DID CALL YOU? 494 00:22:23,780 --> 00:22:25,750 DEBORAH DID, SEEING IF I WANTED TO GET A BEER. 495 00:22:25,780 --> 00:22:27,750 WHY DID YOU JUST LIE ABOUT IT? 496 00:22:27,790 --> 00:22:29,860 AFTER HIGH SCHOOL WE HAD ‐‐ 497 00:22:29,890 --> 00:22:32,050 I GUESS YOU'D CALL IT AN AFFAIR, 498 00:22:32,090 --> 00:22:34,690 WHICH DAMN NEAR BROKE UP MY MARRIAGE 499 00:22:34,730 --> 00:22:36,740 WHEN MY WIFE FOUND OUT. 500 00:22:36,760 --> 00:22:38,930 I LIED BECAUSE I'M MARRIED, OKAY? 501 00:22:38,960 --> 00:22:40,230 I GOT KIDS. 502 00:22:40,260 --> 00:22:42,230 SO YOU AND DEBORAH HAD SEX YESTERDAY? 503 00:22:42,270 --> 00:22:44,580 ABSOLUTELY NOT. WE HAD A COUPLE OF BEERS, 504 00:22:44,600 --> 00:22:46,070 LIKE, AT 3:00, 505 00:22:46,100 --> 00:22:49,070 IN THE LOBBY BAR OF THE PARKCREST HOTEL. 506 00:22:49,110 --> 00:22:52,080 SHE WANTED TO HAVE CLOSURE. THAT'S HOW SHE PUT IT. 507 00:22:52,110 --> 00:22:55,040 THAT'S ALL, BUT I WOULD SURE LIKE TO KNOW WHAT SHE'S SAYING 508 00:22:55,080 --> 00:22:57,210 AND WHO SHE'S SAYING IT TO. 509 00:22:57,250 --> 00:22:59,750 DEBORAH WAS RAPED AND BEATEN LAST NIGHT. 510 00:22:59,780 --> 00:23:02,050 OH, JEEZ. 511 00:23:02,090 --> 00:23:04,600 YOU HAD NO CONTACT WITH HER AFTER DRINKS AT 3:00? 512 00:23:04,620 --> 00:23:05,720 NO. 513 00:23:05,760 --> 00:23:08,230 MY GOD, SHE'S NOT SAYING THAT I RAPED HER? 514 00:23:08,260 --> 00:23:10,760 WE'RE ASKING YOU. MAYBE THINGS GOT OUT OF HAND. 515 00:23:10,800 --> 00:23:13,910 I DON'T KNOW HOW TO RESPOND OTHER THAN SAYING NO! 516 00:23:13,930 --> 00:23:15,760 WHO CAN VOUCH WHERE YOU WERE LAST NIGHT? 517 00:23:15,800 --> 00:23:18,730 MY WIFE AND KIDS. I WAS HOME, 518 00:23:18,770 --> 00:23:20,800 BUT, PLEASE, I CAN'T TELL MY WIFE. 519 00:23:20,840 --> 00:23:22,300 SO YOU WOULDN'T MIND 520 00:23:22,340 --> 00:23:24,410 GIVING US A CONFIDENTIAL DNA SAMPLE? 521 00:23:24,440 --> 00:23:25,740 WHAT IS GOING ON? 522 00:23:25,780 --> 00:23:27,450 HOPEFULLY IT'S YOU TELLING US THE TRUTH. 523 00:23:27,480 --> 00:23:28,640 I'M MARRIED. 524 00:23:28,680 --> 00:23:30,250 YEAH, WE GOT THAT PART. 525 00:23:30,280 --> 00:23:33,250 OKAY, WE HAD A COUPLE BEERS, 526 00:23:33,280 --> 00:23:36,590 AND ME AND DEBORAH ‐‐ 527 00:23:36,620 --> 00:23:38,950 IT'S ALWAYS BEEN HOT BETWEEN US, 528 00:23:38,990 --> 00:23:41,090 AND WE GOT A ROOM 529 00:23:41,130 --> 00:23:43,300 AND WE HAD SEX, 530 00:23:43,330 --> 00:23:45,770 AND I LEFT AT 4:30 AND WENT HOME. 531 00:23:45,800 --> 00:23:47,970 DID YOU EJACULATE INSIDE OF HER? 532 00:23:48,000 --> 00:23:51,100 AW, JEEZ, I HAVE TO ANSWER THAT? 533 00:23:51,140 --> 00:23:53,110 UNLESS YOU WANT TO MULL IT OVER 534 00:23:53,140 --> 00:23:55,180 AND WE'LL STOP BY YOUR HOUSE LATER ON 535 00:23:55,210 --> 00:23:57,280 AND SEE WHERE YOU'RE AT WITH IT. 536 00:23:57,310 --> 00:24:00,480 OKAY, I DID, 537 00:24:00,510 --> 00:24:03,480 BUT ASK YOURSELF, IF WE HAD SEX IN THE AFTERNOON, 538 00:24:03,510 --> 00:24:05,810 WHERE'S THE SENSE THAT I WOULD RAPE HER LATER 539 00:24:05,850 --> 00:24:07,320 AND BEAT HER? 540 00:24:07,350 --> 00:24:09,990 WHY ISN'T DEBORAH TELLING YOU THIS? 541 00:24:10,020 --> 00:24:11,450 WE'LL CHECK IT OUT. 542 00:24:11,490 --> 00:24:14,290 SO DEBORAH'S A GOOD PERSON OTHERWISE? 543 00:24:14,330 --> 00:24:16,000 I ‐‐ YOU KNOW, 544 00:24:16,030 --> 00:24:17,970 A LITTLE LOST, I GUESS ‐‐ 545 00:24:18,000 --> 00:24:20,140 BAD LUCK WITH MEN, BAD LUCK IN GENERAL. 546 00:24:20,160 --> 00:24:22,460 DO YOU KNOW HER BROTHER ROGER? 547 00:24:22,500 --> 00:24:24,630 HE WAS KIND OF A SLIMEBALL, 548 00:24:24,670 --> 00:24:26,170 HAD A PROBLEM WITH DRUGS. 549 00:24:26,200 --> 00:24:27,800 I THINK HE HAS AIDS NOW 550 00:24:27,840 --> 00:24:30,640 FROM SHOOTING UP OR WHO KNOWS WHAT. 551 00:24:30,680 --> 00:24:32,650 LOOK, WHERE DO I STAND HERE? 552 00:24:32,680 --> 00:24:35,890 WHERE YOU GOING TO BE THE REST OF THE DAY 553 00:24:35,910 --> 00:24:39,210 IN CASE WE'VE GOT TO GET AHOLD OF YOU? 554 00:24:39,250 --> 00:24:41,320 NOT AT HOME. I'LL BE AT MY OFFICE 555 00:24:41,350 --> 00:24:43,550 SITTING AT MY DESK UNTIL YOU CALL ME. 556 00:24:43,590 --> 00:24:46,560 I'LL SPEND THE NIGHT THERE IF I HAVE TO. 557 00:24:46,590 --> 00:24:48,320 IF YOUR STORY HOLDS UP, 558 00:24:48,360 --> 00:24:50,360 YOU'LL BE GETTING BACK TO YOUR HAPPY HOME, 559 00:24:50,390 --> 00:24:52,890 SUCH AS IT IS. 560 00:25:05,740 --> 00:25:07,840 UH, BRENDA MARTIN? 561 00:25:07,880 --> 00:25:09,410 NO. 562 00:25:09,450 --> 00:25:11,360 [ WHISTLES ] 563 00:25:11,380 --> 00:25:13,510 OVER HERE. 564 00:25:13,550 --> 00:25:16,180 WHEN THAT LITTLE PERSON HOSS SAID BRENDA WAS BIG, 565 00:25:16,220 --> 00:25:18,520 I DIDN'T THINK SHE MEANT ‐‐ 566 00:25:18,560 --> 00:25:21,400 ME NEITHER. 567 00:25:21,430 --> 00:25:25,700 UH, STELLA ALREADY TOLD ME ABOUT MIKE. 568 00:25:25,730 --> 00:25:27,700 JUST LIKE WE ASKED HER TO. 569 00:25:27,730 --> 00:25:31,270 I TAKE IT YOU WANT TO HELP US FIND WHOEVER WHACKED HIM. 570 00:25:31,300 --> 00:25:32,900 HELL, YES, I DO. 571 00:25:32,940 --> 00:25:35,910 MIKE WAS ALWAYS GOOD TO ME, 572 00:25:35,940 --> 00:25:37,910 PLUS I'VE GOT THIS PROS CHARGE PENDING 573 00:25:37,940 --> 00:25:39,610 I WOULDN'T MIND SEEING GET TOSSED. 574 00:25:39,640 --> 00:25:41,580 WE CAN WORK WITH YOU ON THAT. 575 00:25:41,610 --> 00:25:43,280 TALK TO JOHNNY DuMONT. 576 00:25:43,310 --> 00:25:46,720 HE AND MIKE BEEN HANGING OUT A LOT LATELY. 577 00:25:46,750 --> 00:25:49,450 JOHNNY INVITED MIKE TO A POKER GAME LAST NIGHT. 578 00:25:49,490 --> 00:25:51,400 NOW, I MEAN, I DON'T SEE JOHNNY 579 00:25:51,420 --> 00:25:53,220 HAVING THE GUTS TO KILL ANYBODY, 580 00:25:53,260 --> 00:25:55,570 BUT HE WAS GOING TO BE WITH MIKE LAST NIGHT. 581 00:25:55,590 --> 00:25:57,060 ANY OTHER NAMES? 582 00:25:57,100 --> 00:25:58,570 NO. 583 00:25:58,600 --> 00:26:00,070 YOU KNOW, I KNEW 584 00:26:00,100 --> 00:26:02,260 THIS WAS GOING TO HAPPEN SOMEDAY. 585 00:26:02,300 --> 00:26:04,270 MIKE ALWAYS HAD TO BE WALKING AROUND 586 00:26:04,300 --> 00:26:05,900 WITH A BIG ROLL, 587 00:26:05,940 --> 00:26:07,450 SEVEN, EIGHT GRAND SOMETIMES, 588 00:26:07,470 --> 00:26:09,940 WRAPPED UP IN A RUBBER BAND IN HIS POCKET, 589 00:26:09,970 --> 00:26:12,970 AND THAT STUPID‐ASS DIAMOND PINKIE RING. 590 00:26:13,010 --> 00:26:15,310 WHERE ARE WE GOING TO FIND THIS JOHNNY? 591 00:26:15,350 --> 00:26:17,160 THROWING BACK BOILERMAKERS 592 00:26:17,180 --> 00:26:19,450 OVER AT SMITTY'S ON THIRD. 593 00:26:19,480 --> 00:26:22,480 THAT WAS ME AND MIKE'S SPOT. THAT'S WHERE WE MET JOHNNY. 594 00:26:22,520 --> 00:26:24,750 SO YOU'RE ONE OF MIKE'S GIRLS, HUH? 595 00:26:24,790 --> 00:26:26,420 YEAH. 596 00:26:26,460 --> 00:26:27,930 HE KEEP YOU PRETTY BUSY? 597 00:26:27,960 --> 00:26:31,090 MM‐HMM. BUSY AND PROTECTED. 598 00:26:31,130 --> 00:26:33,930 ALL RIGHT, WE'LL TAKE CARE OF THAT COLLAR 599 00:26:33,970 --> 00:26:36,140 IF YOU'RE PLAYING STRAIGHT WITH US. 600 00:26:36,170 --> 00:26:38,110 SO, THIS MIKE DEALT WITH FRINGE STUFF, 601 00:26:38,140 --> 00:26:40,280 I GUESS, HUH? NO OFFENSE. 602 00:26:40,300 --> 00:26:42,770 SPECIALTY ACTS, HE LIKED TO CALL IT. 603 00:26:42,810 --> 00:26:44,620 HE COULD GET YOU ANYTHING. 604 00:26:44,640 --> 00:26:46,440 SO, LIKE, UH, LITTLE PERSONS, 605 00:26:46,480 --> 00:26:48,690 BIG GALS, OBVIOUSLY... 606 00:26:48,710 --> 00:26:50,950 GRANNIES, AMPUTEES. 607 00:26:50,980 --> 00:26:53,010 CRAZY‐ASS MIKE. 608 00:26:53,050 --> 00:26:55,820 I REMEMBER ONE TIME THIS PERVO GERMAN GUY 609 00:26:55,850 --> 00:26:57,520 COMES TO TOWN, RIGHT? 610 00:26:57,560 --> 00:27:00,200 THAT'S COOL, BUT I THINK WE'VE GOT EVERYTHING. 611 00:27:00,220 --> 00:27:02,160 UH, YEAH. GOOD. 612 00:27:02,190 --> 00:27:04,490 I REALLY HOPE YOU NAIL WHOEVER DID THIS. 613 00:27:06,060 --> 00:27:07,230 THANKS. 614 00:27:20,510 --> 00:27:21,840 HOW YOU HOLDING UP? 615 00:27:21,880 --> 00:27:23,810 OKAY, I GUESS. 616 00:27:23,850 --> 00:27:26,820 THANKS. 617 00:27:26,850 --> 00:27:29,720 SAW MY DAUGHTER FINALLY. TALKED TO HER. 618 00:27:29,750 --> 00:27:30,990 GOOD. 619 00:27:31,020 --> 00:27:34,320 DO YOU KNOW A JIMMY SYSLER, DEBORAH? 620 00:27:34,360 --> 00:27:36,160 YEAH. 621 00:27:36,190 --> 00:27:38,360 I KNOW JIMMY. 622 00:27:38,400 --> 00:27:41,340 HAVE YOU SEEN HIM SINCE YOU'VE BEEN IN TOWN? 623 00:27:41,370 --> 00:27:43,840 YEAH. YESTERDAY. 624 00:27:43,870 --> 00:27:46,570 WHY DIDN'T YOU TELL US ABOUT IT? 625 00:27:46,610 --> 00:27:48,050 HE'S MARRIED, 626 00:27:48,070 --> 00:27:50,540 AND I DIDN'T WANT TO INVOLVE HIM IN THIS. 627 00:27:50,580 --> 00:27:53,220 I SEE NOW THAT THAT WAS WRONG. SORRY. 628 00:27:53,240 --> 00:27:56,910 SO, UH, YOU TWO HAD SEX EARLIER IN THE DAY? 629 00:27:56,950 --> 00:27:59,550 DO WE REALLY HAVE TO DRAG HIM INTO THIS? 630 00:27:59,580 --> 00:28:01,420 YEAH, WE REALLY DO. 631 00:28:01,450 --> 00:28:05,020 WE WERE JUST GOING TO HAVE A COUPLE OF BEERS, 632 00:28:05,060 --> 00:28:06,700 BUT ‐‐ 633 00:28:06,730 --> 00:28:08,230 SORRY. 634 00:28:08,260 --> 00:28:10,430 IT'S JUST THAT WE SAID THAT MORE THAN A FEW TIMES. 635 00:28:10,460 --> 00:28:12,430 "WE'LL JUST MEET FOR A BEER." 636 00:28:12,460 --> 00:28:14,530 YEAH, RIGHT. 637 00:28:14,570 --> 00:28:17,380 DID YOU TELL THE E. R. NURSE YOU HAD SEX EARLIER? 638 00:28:17,400 --> 00:28:19,400 I DIDN'T TELL ANYONE. 639 00:28:19,440 --> 00:28:22,550 IF WE COULD, I'D LIKE TO KEEP IT THAT WAY. 640 00:28:22,570 --> 00:28:25,870 I DON'T WANT TO GET HIM IN TROUBLE WITH HIS WIFE. 641 00:28:25,910 --> 00:28:27,880 IT WAS MY STUPID IDEA. I CALLED HIM. 642 00:28:27,910 --> 00:28:30,380 IT'S JUST THAT SOMETHING LIKE THIS, 643 00:28:30,410 --> 00:28:32,380 AS FAR AS THE INVESTIGATION, 644 00:28:32,420 --> 00:28:35,230 IT'S BETTER TO BE COMPLETELY HONEST. 645 00:28:35,250 --> 00:28:38,250 I JUST FELT SO GUILTY AFTERWARDS. 646 00:28:38,290 --> 00:28:40,060 I DON'T KNOW, THINKING ABOUT IT ‐‐ 647 00:28:40,090 --> 00:28:42,560 IT WAS THAT GUILT WHICH TRIGGERED THE MIGRAINE, 648 00:28:42,590 --> 00:28:44,890 MADE ME STAY IN THE HOTEL LAST NIGHT. 649 00:28:44,930 --> 00:28:47,560 I FEEL ANOTHER ONE COMING ON. 650 00:28:47,600 --> 00:28:50,230 WE'LL GET YOU BACK TO THE HOTEL. 651 00:28:50,270 --> 00:28:52,230 CAN I USE THE RESTROOM FIRST? 652 00:28:52,270 --> 00:28:54,770 SURE. COME ON. 653 00:29:06,620 --> 00:29:10,250 GOOD. THANKS. 654 00:29:10,290 --> 00:29:11,750 THAT WAS THE HOTEL LAWYER. 655 00:29:11,790 --> 00:29:14,920 DEBORAH'S BROTHER JUST LEFT WITH A CHECK FOR $700,000. 656 00:29:14,960 --> 00:29:16,930 HE DICKED 'EM UP 200 GRAND? 657 00:29:16,960 --> 00:29:18,930 HE ASKED THAT 90% OF THE SETTLEMENT 658 00:29:18,960 --> 00:29:22,000 BE LISTED AS "GENERAL DAMAGES," I. E., PAIN AND SUFFERING. 659 00:29:22,030 --> 00:29:23,930 GENERAL DAMAGES ARE NONTAXABLE. 660 00:29:23,970 --> 00:29:26,600 ROGER KNEW HIS WAY AROUND THE FINE PRINT. 661 00:29:26,640 --> 00:29:28,170 DID YOU RUN HIM THROUGH BCI? 662 00:29:28,210 --> 00:29:31,120 ROGER'S GOT THREE ARRESTS FOR BAD CHECKS IN STEUBENVILLE, 663 00:29:31,140 --> 00:29:32,810 RECEIVING STOLEN GOODS IN MASSILLON. 664 00:29:32,840 --> 00:29:36,110 DEBORAH'S CARRYING 18 GRAND IN CREDIT‐CARD DEBT. 665 00:29:36,150 --> 00:29:38,620 SHE HAS UNPROTECTED SEX WITH THIS SYSLER 666 00:29:38,650 --> 00:29:41,120 A COUPLE OF HOURS BEFORE SHE'S RAPED, 667 00:29:41,150 --> 00:29:43,320 AND SHE DON'T TELL NOBODY ABOUT IT. 668 00:29:43,350 --> 00:29:46,150 HE'S MARRIED. MAYBE SHE IS JUST COVERING FOR HIM. 669 00:29:46,190 --> 00:29:48,460 OR MAYBE SHE NEEDS A SPERM DONOR, 670 00:29:48,490 --> 00:29:50,290 AND JIMMY'S HER MAN. 671 00:29:50,330 --> 00:29:54,130 THE RAPE KIT COMES UP POSITIVE EVEN IF THERE IS NO RAPE. 672 00:29:54,170 --> 00:29:55,870 AND SOMEONE BEATS HER LIKE THAT 673 00:29:55,900 --> 00:29:57,870 SO IT WILL LOOK AUTHENTIC? 674 00:29:57,900 --> 00:30:00,200 EVERYTHING SHE'S SAID SO FAR TRACKS. 675 00:30:00,240 --> 00:30:03,170 IF WE'RE WRONG, SHE GETS FROM THIS DEPARTMENT 676 00:30:03,210 --> 00:30:05,550 10 TIMES WHAT SHE GOT FROM THE HOTEL. 677 00:30:05,580 --> 00:30:07,550 WHERE'S HER GIRLFRIEND CATHY? 678 00:30:07,580 --> 00:30:09,140 BABYSITTING DEBORAH'S DAUGHTER 679 00:30:09,180 --> 00:30:10,480 AT THE HOTEL. 680 00:30:10,510 --> 00:30:12,380 LET'S GET HER IN HERE. 681 00:30:12,420 --> 00:30:13,390 I'M READY. 682 00:30:13,420 --> 00:30:15,990 YEAH, UH, WE'LL BE RIGHT WITH YOU. 683 00:30:16,020 --> 00:30:19,220 I'LL DROP HER OFF AND BRING BACK CATHY, 684 00:30:19,260 --> 00:30:22,000 MAKE SURE THE TWO OF THEM AREN'T ALONE TOGETHER. 685 00:30:22,030 --> 00:30:24,500 WE GOT A GUY MIGHT BE IN ON THAT DOA PIMP. 686 00:30:24,530 --> 00:30:26,230 CHECK OUT THE TAPE IN THE VCR. 687 00:30:26,260 --> 00:30:28,660 THERE MIGHT BE A SHOT OF YOUR GUY CHECKING IN. 688 00:30:28,700 --> 00:30:30,570 A TAPE OF THE HOTEL HALLWAY? 689 00:30:30,600 --> 00:30:33,170 HOTEL ONLY HAS CAMERAS 690 00:30:33,200 --> 00:30:35,700 AT THE FRONT DESK, LOBBY, AND EXITS. 691 00:30:40,080 --> 00:30:42,040 AHEM. 692 00:30:42,080 --> 00:30:43,710 UM, FEELING BETTER? 693 00:30:43,750 --> 00:30:45,850 YEAH. I'M FINE. 694 00:30:45,880 --> 00:30:48,050 I'VE JUST GOT A LOT ON MY MIND. 695 00:30:48,090 --> 00:30:50,530 IS THERE ANYTHING I CAN BE DOING HERE? 696 00:30:50,560 --> 00:30:53,400 WHAT I NEED RIGHT NOW, DANNY, IS JUST A LITTLE AIR, 697 00:30:53,420 --> 00:30:56,020 SOME ROOM TO FIGURE OUT SOME STUFF FOR MYSELF. 698 00:30:56,060 --> 00:30:58,390 YOU CAN TALK TO ME ABOUT IT. 699 00:30:58,430 --> 00:31:01,030 AND YOU'LL WANT TO FIX IT, AND YOU CAN'T. 700 00:31:01,070 --> 00:31:02,910 I JUST NEED A LITTLE ROOM. 701 00:31:02,930 --> 00:31:04,900 BUT WE'RE OKAY? 702 00:31:04,940 --> 00:31:06,980 WE'RE OKAY. 703 00:31:27,330 --> 00:31:30,900 YOU KNOW A MIKE STURTEVANT, JOHNNY? 704 00:31:30,930 --> 00:31:33,390 I'VE NEVER BEEN TOO GOOD WITH NAMES. 705 00:31:33,430 --> 00:31:36,430 HOW ARE YOU WITH FACES? 706 00:31:36,470 --> 00:31:39,650 OH, YEAH, OKAY. MIKE. RIGHT. 707 00:31:39,670 --> 00:31:42,070 WHEN DID YOU SEE HIM LAST? 708 00:31:42,110 --> 00:31:43,580 DATES, TIME FRAMES ‐‐ 709 00:31:43,610 --> 00:31:46,580 NEVER BEEN TOO GOOD WITH THOSE, EITHER. 710 00:31:46,610 --> 00:31:48,810 LIKE, ASK ME WHEN MY MOM'S BIRTHDAY IS. 711 00:31:48,850 --> 00:31:51,160 YOU'D THINK I'D KNOW THAT, RIGHT? NO. 712 00:31:51,180 --> 00:31:54,420 WHERE WERE YOU LAST NIGHT? WE'LL LEAVE YOUR MOM OUT. 713 00:31:54,450 --> 00:31:55,650 OUT AND ABOUT. 714 00:31:55,690 --> 00:31:58,430 HAPPEN TO STOP BY THE BELMONT HOTEL 715 00:31:58,460 --> 00:32:00,430 AT ANY POINT? 716 00:32:00,460 --> 00:32:02,020 NOPE. 717 00:32:06,460 --> 00:32:08,760 NOW, UNLESS YOU'VE GOT AN EVIL TWIN STORY 718 00:32:08,800 --> 00:32:10,930 THAT YOU'RE PREPARED TO FLOAT, 719 00:32:10,970 --> 00:32:13,470 I'D SAY THAT'S YOU CHECKING IN AT THE BELMONT HOTEL. 720 00:32:13,500 --> 00:32:16,940 THERE'S A GUY LOOKS A LOT LIKE YOU ON SURVEILLANCE 721 00:32:16,980 --> 00:32:20,950 WALKING IN AND OUT OF ROOM 813 LAST NIGHT, 722 00:32:20,980 --> 00:32:22,780 AND GUESS WHO WE FOUND MURDERED 723 00:32:22,810 --> 00:32:24,610 IN ROOM 813 THIS MORNING? 724 00:32:24,650 --> 00:32:26,780 WE LIVE IN THE ELECTRONIC AGE. 725 00:32:26,820 --> 00:32:29,620 I DON'T KNOW IF ANYBODY'S BROKE THE NEWS TO YOU YET. 726 00:32:29,650 --> 00:32:32,020 SO I WAS THERE. THAT DON'T MEAN I KILLED MIKE. 727 00:32:32,060 --> 00:32:34,970 SURE AS HELL DOES, AS FAR AS THE D. A. IS CONCERNED. 728 00:32:34,990 --> 00:32:37,790 WHY DON'T YOU CHECK THAT TAPE OF ROOM 813 729 00:32:37,830 --> 00:32:40,530 AND SEE WHO ELSE WAS WALKING IN AND OUT? 730 00:32:40,570 --> 00:32:43,140 DON'T RECOGNIZE HIM. 731 00:32:43,170 --> 00:32:46,140 HOW ABOUT I GIVE YOU A HINT? 732 00:32:46,170 --> 00:32:50,010 THAT WAY I DIDN'T ACTUALLY TELL YOU WHO IT WAS. 733 00:32:50,040 --> 00:32:51,840 I'M NOT IN THE MOOD FOR HINTS. 734 00:32:51,880 --> 00:32:54,220 SEE, JUDGING BY YOUR GENERAL DISPOSITION, 735 00:32:54,250 --> 00:32:56,220 WE FIGURE YOU'RE THE ONE 736 00:32:56,250 --> 00:32:58,560 WHOSE JOB IT WAS TO LURE MIKE INTO THE ROOM. 737 00:32:58,580 --> 00:33:01,380 THEN YOU CLOSED YOUR EYES AND STARTED HUMMING TO YOURSELF 738 00:33:01,420 --> 00:33:03,650 WHEN THE REAL BUSINESS STARTED. 739 00:33:03,690 --> 00:33:06,520 SO NOW YOU'RE GOING TO TELL US, NOT HINT, 740 00:33:06,560 --> 00:33:08,190 WHO THE MUSCLE WAS, 741 00:33:08,230 --> 00:33:11,000 AND SAVE YOURSELF 20 YEARS IN THE PROCESS 742 00:33:11,030 --> 00:33:13,560 'CAUSE I KNOW YOU DON'T DO TIME GOOD. 743 00:33:13,600 --> 00:33:16,930 TONY POSADA. 744 00:33:18,270 --> 00:33:22,000 I TOLD MIKE IT WAS A $10,000 BUY‐IN TO THE GAME. 745 00:33:22,040 --> 00:33:23,870 I DUMMIED UP A ROLL 746 00:33:23,910 --> 00:33:25,870 TO SHOW HIM I HAD THE SAME. 747 00:33:25,910 --> 00:33:27,880 TONY WAS SUPPOSED TO MAKE IT LOOK LIKE A SETUP, 748 00:33:27,910 --> 00:33:31,710 TAKE OFF ME AND MIKE AS SOON AS WE WALKED IN. 749 00:33:31,750 --> 00:33:33,720 TONY GOES AT MIKE WITH A BLACKJACK. 750 00:33:33,750 --> 00:33:35,220 MIKE DUCKS IT, 751 00:33:35,250 --> 00:33:37,190 AND THEY GO AT IT LIKE TWO HURRICANES, 752 00:33:37,220 --> 00:33:39,190 OFF THE WALLS, INTO THE BATHROOM, 753 00:33:39,220 --> 00:33:41,690 AND TONY'S JUST BASHING MIKE'S HEAD IN 754 00:33:41,730 --> 00:33:43,870 WITH THE DAMN PHONE. 755 00:33:43,900 --> 00:33:45,940 FINALLY, TONY GETS THAT PHONE CORD 756 00:33:45,960 --> 00:33:48,100 AROUND MIKE'S NECK, AND JUST ‐‐ 757 00:33:48,130 --> 00:33:50,530 [ IMITATES TRACHEA BEING CRUSHED ] 758 00:33:50,570 --> 00:33:54,240 TONY WALKED AWAY. MIKE DIDN'T. 759 00:33:54,270 --> 00:33:56,740 A COUPLE OF HICCUPS BUT, OVERALL, 760 00:33:56,780 --> 00:34:01,250 A PRETTY AIRTIGHT PLAN YOU PUT TOGETHER THERE. 761 00:34:01,280 --> 00:34:03,880 THIS KNIFE I FOUND ON YOU ‐‐ 762 00:34:03,920 --> 00:34:05,720 USE IT TO CUT OFF MIKE'S PINKIE 763 00:34:05,750 --> 00:34:06,880 FOR THAT DIAMOND RING? 764 00:34:06,920 --> 00:34:10,420 HE WAS DEAD ALREADY. WHAT'S HE NEED HIS RING FOR? 765 00:34:11,620 --> 00:34:13,420 THANKS FOR COMING IN. 766 00:34:13,460 --> 00:34:15,900 WE'RE CUTTING IT CLOSE AS FAR AS OUR FLIGHT. 767 00:34:15,930 --> 00:34:17,740 YEAH, WELL, WHEN A SETTLEMENT HAPPENS, 768 00:34:17,760 --> 00:34:20,400 BIG FLAGS GO UP AND WE HAVE TO LOOK INTO THINGS. 769 00:34:20,430 --> 00:34:22,230 YOU KNOW A JIMMY SYSLER? 770 00:34:22,270 --> 00:34:24,080 YEAH. I WENT TO HIGH SCHOOL WITH HIM. 771 00:34:24,100 --> 00:34:26,900 YOU KNOW ABOUT JIMMY AND DEBORAH 772 00:34:26,940 --> 00:34:28,740 WORKING UP A SWEAT AT A HOTEL ROOM YESTERDAY? 773 00:34:28,770 --> 00:34:32,110 FIRST I'VE HEARD OF IT. 774 00:34:33,780 --> 00:34:35,080 WHAT? 775 00:34:35,110 --> 00:34:37,580 CHECK OUR THINKING HERE, CATHY. 776 00:34:37,620 --> 00:34:39,930 DEBORAH AND HER BROTHER COOK UP 777 00:34:39,950 --> 00:34:41,920 THIS PHONY RAPE SCHEME, 778 00:34:41,950 --> 00:34:45,290 MAKE IT HAPPEN THE NIGHT OF THE MARDI GRAS PARTY. 779 00:34:45,320 --> 00:34:47,590 SHE SCREWS AN OLD FRIEND FROM HER HOMETOWN 780 00:34:47,630 --> 00:34:49,600 SO THE RAPE KIT WILL COME BACK POSITIVE, 781 00:34:49,630 --> 00:34:52,130 BEGS OFF GOING OUT 'CAUSE OF A HEADACHE. 782 00:34:52,160 --> 00:34:54,630 YOU TAKE THE KID TO "THE LION KING," 783 00:34:54,670 --> 00:34:56,140 SHE FAKES THE RAPE, 784 00:34:56,170 --> 00:34:58,780 YOU WALK IN AT A PREARRANGED TIME. 785 00:34:58,800 --> 00:35:01,270 HOTEL GETS ITS CHECKBOOK OUT. 786 00:35:01,310 --> 00:35:03,950 HOW ABOUT THAT BEATING? HOW'D SHE FAKE THAT? 787 00:35:03,980 --> 00:35:06,480 FOR 700 GRAND, YOU'D TAKE THE BEATING. 788 00:35:06,510 --> 00:35:07,810 50 GRAND. 789 00:35:10,180 --> 00:35:14,620 DEBORAH SETTLED WITH THE HOTEL FOR 50 GRAND. 790 00:35:14,650 --> 00:35:16,950 CATHY, THEY SETTLED FOR $700,000 791 00:35:16,990 --> 00:35:19,450 ABOUT FOUR HOURS AGO. 792 00:35:19,490 --> 00:35:22,290 NO. YEAH. 793 00:35:22,330 --> 00:35:24,800 ROGER TOLD ME THEY SETTLED FOR $50,000. 794 00:35:24,830 --> 00:35:27,130 THEN ROGER CONNED YOU, TOO. 795 00:35:27,170 --> 00:35:30,480 ALL YOU'RE LOOKING AT IS FILING A FALSE REPORT... 796 00:35:30,500 --> 00:35:32,200 I WANT TO GO HOME. 797 00:35:32,240 --> 00:35:34,210 OR KEEP UP THE ACT 798 00:35:34,240 --> 00:35:37,370 AND YOU'LL BE ON THE HOOK FOR FELONY FRAUD. 799 00:35:37,410 --> 00:35:39,310 NO ONE IS GOING TO SEE ANY MONEY. 800 00:35:39,340 --> 00:35:41,640 I WANT TO SEE A COPY OF THAT CHECK. 801 00:35:41,680 --> 00:35:43,650 MAYBE MORE THAN THAT, 802 00:35:43,680 --> 00:35:46,380 YOU WANT TO SEE YOUR BED BACK IN STEUBENVILLE 803 00:35:46,420 --> 00:35:49,160 SOMETIME IN THE NEXT FIVE YEARS. 804 00:35:49,190 --> 00:35:51,830 THAT SON OF A BITCH. 805 00:35:51,860 --> 00:35:53,830 WHAT WAS YOUR PLAY IN THIS? 806 00:35:53,860 --> 00:35:55,560 THAT CREEPY SON OF A BITCH. 807 00:35:55,590 --> 00:35:57,890 NOW, OR WE GO GET ROGER'S VERSION, 808 00:35:57,930 --> 00:35:59,900 HOW IT WAS YOUR IDEA. 809 00:35:59,930 --> 00:36:01,900 I DON'T KNOW WHAT HAPPENED. 810 00:36:01,930 --> 00:36:04,400 I SWEAR TO GOD, I DIDN'T WANT TO KNOW. 811 00:36:04,440 --> 00:36:06,750 ROGER SAID HE'D PAY ME 10% OF WHATEVER 812 00:36:06,770 --> 00:36:08,700 IF I TOOK RACHEL TO "THE LION KING" 813 00:36:08,740 --> 00:36:11,540 AND CAME BACK TO THE HOTEL AFTER AND CALLED THE COPS. 814 00:36:11,580 --> 00:36:13,050 THAT'S IT. 815 00:36:13,080 --> 00:36:16,020 THAT LYING BASTARD. HE SAID THEY GOT $50,000, 816 00:36:16,050 --> 00:36:17,190 NOT $700,000. 817 00:36:17,220 --> 00:36:19,060 LET'S GET DEBORAH BACK IN. 818 00:36:19,080 --> 00:36:22,450 GIVE A HEADS‐UP TO THE D. A.'s OFFICE? 819 00:36:33,260 --> 00:36:36,200 I'M HERE TO PICK UP MY SCARF. 820 00:36:36,230 --> 00:36:39,200 YES. I HAVE IT FOR YOU RIGHT HERE. 821 00:36:39,240 --> 00:36:40,750 THANKS. 822 00:36:47,750 --> 00:36:49,960 I'D LIKE TO INTRODUCE MYSELF. 823 00:36:49,980 --> 00:36:53,110 I'M JOHN IRVIN, AND I ‐‐ 824 00:36:53,150 --> 00:36:54,880 LET ME GUESS. LITTLE‐PEOPLE ISSUES. 825 00:36:54,920 --> 00:36:57,620 SINCE I WAS A CHILD. 826 00:36:57,660 --> 00:37:00,400 I SAW "THE WIZARD OF OZ" WHEN I WAS 7, 827 00:37:00,420 --> 00:37:04,060 AND IT'S HAD A STRANGLEHOLD ON MY IMAGINATION EVER SINCE. 828 00:37:04,100 --> 00:37:05,600 EVERYBODY'S GOT THEIR THING, YOU KNOW? 829 00:37:05,630 --> 00:37:08,060 I KNOW, BUT IT'S STILL WRONG. 830 00:37:08,100 --> 00:37:11,570 I MAKE MY LIVING OFF IT BEING WRONG. 831 00:37:11,600 --> 00:37:13,470 WE'VE GOT TO MAKE A RUN, JOHN. HEY. 832 00:37:13,500 --> 00:37:16,070 ANY LUCK? 833 00:37:16,110 --> 00:37:17,980 WE'RE GETTING THERE. 834 00:37:18,010 --> 00:37:21,440 IF YOU HAVE ANY FOLLOW‐UP QUESTIONS, DETECTIVE, 835 00:37:21,480 --> 00:37:24,580 OR HOWEVER I COULD BE OF ANY HELP. 836 00:37:24,620 --> 00:37:25,620 UH... 837 00:37:25,650 --> 00:37:27,350 UH... 838 00:37:34,660 --> 00:37:36,460 THANKS FOR THE SCARF. 839 00:37:36,490 --> 00:37:38,290 NO. THANK YOU. 840 00:37:41,970 --> 00:37:44,110 BACK AND FORTH, BACK AND FORTH. 841 00:37:44,140 --> 00:37:46,440 THIS IS REALLY GETTING HARD ON ME. 842 00:37:46,470 --> 00:37:47,840 SIT DOWN. 843 00:37:51,980 --> 00:37:54,290 CATHY FLIPPED. 844 00:37:54,310 --> 00:37:56,280 FLIPPED LIKE "FLIPPED OUT"? 845 00:37:56,310 --> 00:37:58,850 FLIPPED FROM, LIKE, LYING TO TELLING THE TRUTH. 846 00:37:58,880 --> 00:38:00,350 SO THAT 10%, 847 00:38:00,380 --> 00:38:02,780 THAT'S 10% OF NOTHING NOW. 848 00:38:02,820 --> 00:38:06,290 THIS IS VALERIE HAYWOOD. SHE'S WITH THE D. A.'s OFFICE. 849 00:38:06,320 --> 00:38:08,120 WHY? 850 00:38:08,160 --> 00:38:10,790 TO EITHER PUT YOU IN JAIL AS A PRINCIPAL IN A FELONY, 851 00:38:10,830 --> 00:38:13,130 OR KEEP YOU OUT AS A WITNESS FOR THE PEOPLE. 852 00:38:13,160 --> 00:38:15,130 CATHY WENT FOR THE SECOND ONE. 853 00:38:15,170 --> 00:38:16,880 HERE'S YOUR CHANCE. 854 00:38:16,900 --> 00:38:19,200 OTHERWISE YOU RISK ENDING UP WITH THE BEATING, 855 00:38:19,240 --> 00:38:21,010 NO MONEY, AND THE JAIL TIME. 856 00:38:21,040 --> 00:38:23,710 AND I UNDERSTAND YOU HAVE A YOUNG DAUGHTER. 857 00:38:23,740 --> 00:38:25,970 WHAT ARE YOU GOING TO DO TO HER? 858 00:38:26,010 --> 00:38:29,480 WHAT ARE YOU GOING TO DO TO HER? 859 00:38:29,510 --> 00:38:31,480 IF YOU AGREE TO TESTIFY 860 00:38:31,520 --> 00:38:33,490 AGAINST THE OTHER PARTICIPANTS, 861 00:38:33,520 --> 00:38:35,360 INCLUDING YOUR BROTHER... 862 00:38:35,390 --> 00:38:37,060 THEN YOU WON'T TAKE HER AWAY FROM ME? 863 00:38:37,090 --> 00:38:38,890 THEN I WON'T PUT YOU IN JAIL, 864 00:38:38,920 --> 00:38:41,720 AND I'LL RECOMMEND THAT YOU KEEP YOUR DAUGHTER, 865 00:38:41,760 --> 00:38:44,060 BUT THIS IS ALL CONTINGENT 866 00:38:44,100 --> 00:38:46,610 ON YOUR SUBSTANTIAL COOPERATION. 867 00:38:52,040 --> 00:38:54,080 WAS IT YOUR BROTHER'S IDEA? 868 00:38:54,110 --> 00:38:57,050 AND YOU HUMPED SYSLER TO TRICK THE RAPE KIT? 869 00:38:57,080 --> 00:38:58,850 WHO'S THE FOURTH? 870 00:38:58,880 --> 00:39:00,390 WHO DO YOU MEAN? 871 00:39:00,410 --> 00:39:03,380 WHO PUT THAT BEATING ON YOU? 872 00:39:03,410 --> 00:39:06,180 SYSLER? 873 00:39:06,220 --> 00:39:07,290 ROGER. 874 00:39:09,590 --> 00:39:11,690 YOUR BROTHER BEAT YOU LIKE THIS? 875 00:39:11,720 --> 00:39:14,520 I'VE BEEN BEATEN WORSE FOR NOTHING, 876 00:39:14,560 --> 00:39:17,030 AND WHAT I HAVE TO DO TO SUPPORT MY DAUGHTER... 877 00:39:17,060 --> 00:39:19,730 SHE'S WHO I DID THIS FOR, PLUS ROGER. 878 00:39:19,760 --> 00:39:22,130 HE WANTED TO SEE THE WORLD BEFORE HE DIED. 879 00:39:27,810 --> 00:39:29,620 HE REALLY THOUGHT IT WAS GOING TO WORK. 880 00:39:29,640 --> 00:39:30,810 SHAME ON YOU. 881 00:39:43,590 --> 00:39:46,390 JIMMY SYSLER? DETECTIVE SIPOWICZ. 882 00:39:46,420 --> 00:39:49,730 YOU CAN GO HOME NOW. DON'T WORRY ABOUT IT. 883 00:39:49,760 --> 00:39:53,090 JUST GO HOME. 884 00:39:53,130 --> 00:39:56,600 A BROTHER DOING THAT TO HIS OWN SISTER. 885 00:40:01,970 --> 00:40:03,740 YOU GET THAT SECOND PERP? 886 00:40:03,780 --> 00:40:05,580 YEAH. THEY'RE BOTH LOCKED UP DOWNSTAIRS. 887 00:40:05,610 --> 00:40:07,740 WHAT THE HELL IS THAT? 888 00:40:07,780 --> 00:40:10,080 IT WAS DOWNSTAIRS. 889 00:40:10,110 --> 00:40:13,250 TOMMY FEELY SENT IT TO YOU. 890 00:40:13,280 --> 00:40:16,450 [ Hisses ] LOOK AT THIS. HOTEL CRAP. 891 00:40:16,490 --> 00:40:18,800 CHEAP BASTARD. 892 00:40:18,820 --> 00:40:20,820 IF THERE'S A SHOEHORN IN THERE, 893 00:40:20,860 --> 00:40:22,660 I COULD ACTUALLY GO FOR ONE. 894 00:40:22,690 --> 00:40:24,160 CAN WE TALK LATER? 895 00:40:24,200 --> 00:40:26,610 SURE. I'LL STOP BY. 896 00:40:26,630 --> 00:40:27,530 OKAY. 897 00:40:29,700 --> 00:40:31,770 HEY, WHAT'S GOING ON? 898 00:40:31,800 --> 00:40:34,300 I JUST PICKED UP MY MESSAGES. YOU GOT MY SISTER HERE? 899 00:40:34,340 --> 00:40:36,440 YEAH. SHE'S HERE ALL RIGHT. 900 00:40:36,470 --> 00:40:38,010 WHAT FOR? 901 00:40:38,040 --> 00:40:39,510 WHAT ARE YOU DOING? 902 00:40:39,540 --> 00:40:40,510 SHUT UP. 903 00:40:40,550 --> 00:40:42,350 IS THIS A JOKE? 904 00:40:42,380 --> 00:40:45,110 I GUESS A GUY WHO WOULD BEAT HIS SISTER BLOODY 905 00:40:45,150 --> 00:40:47,680 MIGHT GET A KICK OUT OF THIS. TURN AROUND. 906 00:40:47,720 --> 00:40:49,650 I WANT TO TALK TO HER. 907 00:40:49,690 --> 00:40:50,650 TURN AROUND. 908 00:40:50,690 --> 00:40:53,290 YOU WANT A LAWYER? I WOULD, TOO. 909 00:40:53,320 --> 00:40:54,460 WHAT? 910 00:40:54,490 --> 00:40:57,190 I'M TRYING TO RESIST THE URGE TO BEAT YOU 911 00:40:57,230 --> 00:40:59,130 LIKE YOU BEAT YOUR SISTER. 912 00:40:59,160 --> 00:41:01,130 GO AHEAD. BEAT ME. 913 00:41:01,170 --> 00:41:03,170 BEAT ME BLOODY. 914 00:41:23,690 --> 00:41:26,050 YOU ALL RIGHT? 915 00:41:26,090 --> 00:41:28,060 YEAH. JUST A LITTLE CHILLY. 916 00:41:28,090 --> 00:41:30,660 WELL, YOU WANT TO GO BACK DOWN? 917 00:41:30,700 --> 00:41:32,400 NO. IT'S OKAY. 918 00:41:32,430 --> 00:41:34,230 ONE OF THOSE DAYS 919 00:41:34,270 --> 00:41:37,710 THAT DON'T SCRAPE OFF SO EASY, HUH? 920 00:41:39,600 --> 00:41:42,170 THIS WAS BOBBY'S COOP? 921 00:41:42,210 --> 00:41:43,450 YEAH. 922 00:41:45,740 --> 00:41:49,210 HE'S ALWAYS GOING TO BE WITH US, ISN'T HE? 923 00:41:53,590 --> 00:41:56,090 I CAN'T COMPETE WITH HIM, DIANE. 924 00:41:56,120 --> 00:41:59,090 NO ONE'S WANTING YOU TO COMPETE. 925 00:42:01,090 --> 00:42:04,730 I JUST DIDN'T EXPECT IT TO BE THIS HARD. 926 00:42:04,760 --> 00:42:06,030 I'VE TRIED. 927 00:42:06,060 --> 00:42:07,730 I'VE REALLY TRIED TO LET HIM GO, 928 00:42:07,770 --> 00:42:10,080 BUT THE MORE I TRIED, 929 00:42:10,100 --> 00:42:12,600 THE MORE I KNEW I COULDN'T GET PAST IT. 930 00:42:12,640 --> 00:42:16,080 THEN IT'S NO GOOD, IS IT? 931 00:42:16,110 --> 00:42:18,580 I WANTED IT TO BE GOOD. 932 00:42:18,610 --> 00:42:20,380 I REALLY DID. 933 00:42:20,410 --> 00:42:22,580 I JUST TALKED TO ANDY AND TOLD HIM 934 00:42:22,610 --> 00:42:24,910 HOW STRONG THE DIRECTION WE WERE HEADED WAS. 935 00:42:24,950 --> 00:42:26,380 KNOWING ALL HE KNOWS, 936 00:42:26,420 --> 00:42:28,560 HE DIDN'T SAY HOW WRONG THIS MIGHT BE? 937 00:42:28,590 --> 00:42:30,500 THAT'S NOT THE PART I HEARD. 938 00:42:32,820 --> 00:42:33,960 ANYWAYS, 939 00:42:33,990 --> 00:42:36,660 I GUESS I OUGHT TO TAKE OFF. 940 00:42:39,000 --> 00:42:41,110 I'M SORRY, DANNY. 941 00:42:41,130 --> 00:42:43,930 HEY, IF WE HADN'T TAKEN A SHOT, 942 00:42:43,970 --> 00:42:45,800 I'D HAVE WONDERED A DOZEN TIMES A DAY 943 00:42:45,840 --> 00:42:48,950 WHY WE NEVER DID.